Rock & Roll Museum

The Beatles

The impact of the Beatles -- not only on rock & roll but on all of Western culture -- is simply incalculable. As musicians they proved that rock & roll could embrace a limitless variety of harmonies, structures, and sounds; virtually every rock experiment has some precedent on Beatles records. As a unit they were a musically synergistic combination: Paul McCartney’s melodic bass lines, Ringo Starr’s slaphappy no-rolls drumming, George Harrison’s rockabilly-style guitar leads, John Lennon’s assertive rhythm guitar -- and their four fervent voices. One of the first rock groups to write most of its material, they inaugurated the era of self-contained bands and forever centralized pop. And as personalities, they defined and incarnated Sixties style: smart, idealistic, playful, irreverent, eclectic. Their music, from the not-so-simple love songs they started with to their later perfectionistic studio extravaganzas, set new standards for both commercial and artistic success in pop. Although many of their sales and attendance records have since been surpassed, no group has so radically transformed the sound and meaning of rock & roll.

Lennon was performing with his amateur skiffle group the Quarrymen at a church picnic on July 6, 1957, in the Liverpool suburb of Woolton when he met McCartney, whom he later invited to join his group; soon they were writing songs together, such as "The One After 909." By the year’s end McCartney had convinced Lennon to let Harrison join their group, the name of which was changed to Johnny and the Moondogs in 1958.
 

In 1960 an art-school friend of Lennon’s, Stu Sutcliffe, became their bassist. Sutcliffe couldn’t play a note but had recently sold one of his paintings for a considerable sum, which the group, now rechristened the Silver Beetles (from which "Silver" was dropped a few months later, and "Beetles" amended to "Beatles"), used to upgrade its equipment. Tommy Moore was their drummer until Pete Best replaced him in August 1960.

Once Best had joined, the band made its first of four trips to Hamburg, Germany. In December Harrison was deported back to England for being underage and lacking a work permit, but by then their 30-set weeks on the stages of Hamburg beerhouses had honed and strengthened their repertoire (mostly Chuck Berry, Little Richard, Carl Perkins, and Buddy Holly covers), and on February 21, 1961, they debuted at the Cavern club on Mathew Street in Liverpool, beginning a string of nearly 300 performances there over the next couple of years.

In April 1961 they again went to Hamburg, where Sutcliffe (the first of the Beatles to wear his hair in the long, shaggy style that came to be known as the Beatle haircut) left the group to become a painter, while McCartney switched from rhythm guitar to bass. The Beatles returned to Liverpool as a quartet in July. Sutcliffe died from a brain hemorrhage in Hamburg less than a year later.

EMI’s American label, Capitol, had not released the group’s 1963 records (which Martin licensed to independents like Vee-Jay and Swan with little success) but was finally persuaded to release its fourth single, "I Want to Hold Your Hand" and Meet the Beatles in January 1964 and to invest $50,000 in promotion for the then unknown British act.

The album and the single became the Beatles first U.S. chart-toppers. On February 7 screaming mobs met them at New York’s Kennedy Airport, and more than 70 million people watched each of their appearances on The Ed Sullivan Show on February 9 and 16. In April 1964 "Can’t Buy Me Love" became the first record to top American and British charts simultaneously, and that same month the Beatles held the top five positions on Billboard’s singles chart ( "Can’t Buy Me Love," "Twist and Shout," "She Loves You," "I Want to Hold Your Hand," "Please Please Me").

By 1965 Lennon and McCartney rarely wrote songs together, although by contractual and personal agreement songs by either of them were credited to both. The Beatles toured Europe, North America, the Far East, and Australia that year. Their second movie, Help! (again directed by Lester), was filmed in England, Austria, and the Bahamas in the spring and opened in the U.S. in August. On August 15 they performed to 55, 600 fans at New York’s Shea Stadium, setting a record for largest concert audience. McCartney’s "Yesterday" (#1, 1965) would become one of the most often covered songs ever written. In June the Queen had announced that the Beatles would be awarded the MBE (Member of the Order of the British Empire). The announcement sparked some controversy -- some MBE holders returned their medals -- but on October 26, 1965, the ceremony took place at Buckingham Palace. (Lennon returned his medal in 1969.)

On August 27, 1967 -- while the four were in Wales beginning their six-month involvement with transcendental meditation and the Maharishi Mahesh Yogi (which took them to India for two months in early 1968) -- Epstein died alone in his London flat from an overdose of sleeping pills, later ruled accidental.

Shaken by Epstein’s death, the Beatles retrenched under McCartney’s leadership in the fall and filmed Magical Mystery Tour, which was aired by BBC-TV on December 26, 1967, and later released in the U.S. as a feature film. Although the telefilm was panned by British critics, fans, and Queen Elizabeth herself, the soundtrack album contained their most cryptic work yet in "I Am the Walrus," a Lennon composition.

In 1988 the Beatles were inducted into the Rock and Roll Hall of Fame. McCartney, citing business conflicts with the two other surviving members, did not attend. Relations between him and Harrison, in particular, had been strained for some time. But in January 1994 Goldmine magazine reported that McCartney, Harrison, and Starr had begun recording music for a long-rumored Beatles documentary the previous August, with more secret sessions scheduled. George Martin was said to be the producer. Later that year Live at the BBC was released, featuring 56 songs the Beatles performed on British radio between 1962 and 1965. It debuted at #1 in the U.K.; in the U.S., it debuted and peaked at #3. In March 1995 McCartney confirmed that he, Harrison, and Starr were recording new songs. When released, they will be the first new Beatles songs since 1969.



Interesting Links:

BEATLES OFFICIAL SITE

BEATLES 4.COM

Send your comments to:
coments@portaldorock.com.br

BACK TO MUSEUM

NetRadio.com: Punk