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Rock
& Roll Museum
The
Beatles
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The
impact of the Beatles -- not only on rock & roll but on all
of Western culture -- is simply incalculable. As musicians they
proved that rock & roll could embrace a limitless variety
of harmonies, structures, and sounds; virtually every rock experiment
has some precedent on Beatles records. As a unit they were a musically
synergistic combination: Paul McCartney’s melodic bass lines,
Ringo Starr’s slaphappy no-rolls drumming, George Harrison’s rockabilly-style
guitar leads, John Lennon’s assertive rhythm guitar -- and their
four fervent voices. One of the first rock groups to write most
of its material, they inaugurated the era of self-contained bands
and forever centralized pop. And as personalities, they defined
and incarnated Sixties style: smart, idealistic, playful, irreverent,
eclectic. Their music, from the not-so-simple love songs they
started with to their later perfectionistic studio extravaganzas,
set new standards for both commercial and artistic success in
pop. Although many of their sales and attendance records have
since been surpassed, no group has so radically transformed the
sound and meaning of rock & roll.
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In
1960 an art-school friend of Lennon’s, Stu Sutcliffe, became their
bassist. Sutcliffe couldn’t play a note but had recently sold
one of his paintings for a considerable sum, which the group,
now rechristened the Silver Beetles (from which "Silver"
was dropped a few months later, and "Beetles" amended
to "Beatles"), used to upgrade its equipment. Tommy
Moore was their drummer until Pete Best replaced him in August
1960.
Once
Best had joined, the band made its first of four trips to Hamburg,
Germany. In December Harrison was deported back to England for
being underage and lacking a work permit, but by then their 30-set
weeks on the stages of Hamburg beerhouses had honed and strengthened
their repertoire (mostly Chuck Berry, Little Richard, Carl Perkins,
and Buddy Holly covers), and on February 21, 1961, they debuted
at the Cavern club on Mathew Street in Liverpool, beginning a
string of nearly 300 performances there over the next couple of
years.
In
April 1961 they again went to Hamburg, where Sutcliffe (the first
of the Beatles to wear his hair in the long, shaggy style that
came to be known as the Beatle haircut) left the group to become
a painter, while McCartney switched from rhythm guitar to bass.
The Beatles returned to Liverpool as a quartet in July. Sutcliffe
died from a brain hemorrhage in Hamburg less than a year later.
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EMI’s
American label, Capitol, had not released the group’s 1963
records (which Martin licensed to independents like Vee-Jay
and Swan with little success) but was finally persuaded to
release its fourth single, "I Want to Hold Your Hand"
and Meet the Beatles in January 1964 and to invest
$50,000 in promotion for the then unknown British act. |
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The album and the single became the Beatles first U.S. chart-toppers.
On February 7 screaming mobs met them at New York’s Kennedy Airport,
and more than 70 million people watched each of their appearances
on The Ed Sullivan Show on February 9 and 16. In April
1964 "Can’t Buy Me Love" became the first record to
top American and British charts simultaneously, and that same
month the Beatles held the top five positions on Billboard’s singles
chart ( "Can’t Buy Me Love," "Twist and Shout,"
"She Loves You," "I Want to Hold Your Hand,"
"Please Please Me").
By
1965 Lennon and McCartney rarely wrote songs together, although
by contractual and personal agreement songs by either of them
were credited to both. The Beatles toured Europe, North America,
the Far East, and Australia that year. Their second movie, Help!
(again directed by Lester), was filmed in England, Austria, and
the Bahamas in the spring and opened in the U.S. in August. On
August 15 they performed to 55, 600 fans at New York’s Shea Stadium,
setting a record for largest concert audience. McCartney’s "Yesterday"
(#1, 1965) would become one of the most often covered songs ever
written. In June the Queen had announced that the Beatles would
be awarded the MBE (Member of the Order of the British Empire).
The announcement sparked some controversy -- some MBE holders
returned their medals -- but on October 26, 1965, the ceremony
took place at Buckingham Palace. (Lennon returned his medal in
1969.)
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Shaken by Epstein’s death, the Beatles retrenched under McCartney’s
leadership in the fall and filmed Magical Mystery Tour,
which was aired by BBC-TV on December 26, 1967, and later released
in the U.S. as a feature film. Although the telefilm was panned
by British critics, fans, and Queen Elizabeth herself, the soundtrack
album contained their most cryptic work yet in "I Am the
Walrus," a Lennon composition.
In
1988 the Beatles were inducted into the Rock and Roll Hall of
Fame. McCartney, citing business conflicts with the two other
surviving members, did not attend. Relations between him and Harrison,
in particular, had been strained for some time. But in January
1994 Goldmine magazine reported that McCartney, Harrison,
and Starr had begun recording music for a long-rumored Beatles
documentary the previous August, with more secret sessions scheduled.
George Martin was said to be the producer. Later that year Live
at the BBC was released, featuring 56 songs the Beatles performed
on British radio between 1962 and 1965. It debuted at #1 in the
U.K.; in the U.S., it debuted and peaked at #3. In March 1995
McCartney confirmed that he, Harrison, and Starr were recording
new songs. When released, they will be the first new Beatles songs
since 1969.
Interesting Links:
BEATLES
OFFICIAL SITE
BEATLES
4.COM
Send
your comments to:
coments@portaldorock.com.br
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