Rock
& Roll Museum
Rolling Stones |
|
The
Rolling Stones began calling themselves the "World’s Greatest
Rock & Roll Band" in the late Sixties, and few disputed
the claim. The Stones’ music, based on Chicago blues, has continued
to sound vital through the decades, and the Stones’ attitude of
flippant defiance has come to seem as important as their music.
In
the 1964 British Invasion, they were promoted as bad boys, but
what began as a gimmick has stuck as an indelible image, and not
just because of incidents like Brian Jones’ mysterious death in
1969 and a violent murder during their set at Altamont later that
year. In their music, the Stones pioneered British rock’s tone
of ironic detachment and wrote about offhand brutality, sex as
power, and other taboos. Mick Jagger was branded a "Lucifer"
figure, thanks to songs like "Sympathy for the Devil."
In the Eighties the Stones lost their dangerous aura while still
seeming "bad" -- they’ve become icons of an elegantly
debauched, world-weary decadence. But Jagger remains the most
self-consciously assured appropriator of black performers’ up-front
sexuality; Keith Richards’ Chuck Berry-derived riffing defines
rock rhythm guitar (not to mention rock guitar rhythm); the stalwart
rhythm section, anchored by Charlie Watts, holds its own with
any band’s; and Jagger and Richards continue to write telling
songs.
|
On
July 12, 1962, the Rolling Stones -- Jagger, Richards,
Jones, a returned Dick Taylor on bass, and Mick Avory,
later of the Kinks, on drums -- played their first show
at the Marquee. Avory and Taylor were replaced by Tony
Chapman and Bill Wyman, from the Cliftons. Chapman didn’t
work out, and the band spent months recruiting a cautious
Charlie Watts, who worked for an advertising agency and
had left Blues, Inc., when its schedule got too busy.
In January 1963 Watts completed the band.
|
|
 |
 |
 |
 |
|
|
In
June 1963 the Stones released their first single, Chuck Berry’s
"Come On." After the band played on the British TV rock
show Thank Your Lucky Stars, its producer reportedly told
Oldham to get rid of "that vile-looking singer with the tire-tread
lips." The single reached #21 on the British chart. The Stones
also appeared at the first annual National Jazz and Blues Festival
in London’s borough of Richmond and in September were part of
a package tour with the Everly Brothers, Bo Diddley, and Little
Richard. In December 1963 the Stones’ second single, "I Wanna
Be Your Man" (written by John Lennon and Paul McCartney),
made the British Top Fifteen. In January 1964 the Stones did their
first headlining British tour, with the Ronettes, and released
a version of Buddy Holly’s "Not Fade Away," which made
#3.
In
January 1967 the Stones caused another sensation when they performed
"Let’s Spend the Night Together" ("Ruby Tuesday"’s
B side) on The Ed Sullivan Show. Jagger mumbled the title
lines after threats of censorship (some claimed that the line
was censored; others that Jagger actually sang "Let’s spend
some time together"; Jagger later said "When
it came to that line, I sang mumble"). In February Jagger
and Richards were arrested on drug possession charges in Britain;
in May Brian Jones, too, was arrested. The heavy jail sentences
they received were eventually suspended on appeal. The Stones
temporarily withdrew from public appearances; Jagger and his girlfriend,
singer Marianne Faithfull, went to India with the Beatles to meet
the Maharishi Mahesh Yogi. Their next single release didn’t appear
until the fall: the #14 "Dandelion." Its B side, "We
Love You" (#50), on which John Lennon and Paul McCartney
sang backup vocals, was intended as a thank-you to fans.
|
 |
The
ethnic-stereotype lyrics of the title song from Some Girls
(#1, 1978) provoked public protest (the last outcry had
been in 1976 over Black and Blue’s battered-woman
advertising campaign). Aside from the disco crossover "Miss
You" (#1), the music was bare-bones rock & roll --
in response, some speculated, to the punk movement’s claims
that the band was too old and too affluent to rock anymore.
|
 |
 |
 |
|
|
The
early Nineties were a time for solo albums from Richards -- Live
at the Hollywood Palladium and Main Offender (#99,
1992) -- and Jagger’s Wandering Spirit (#11, 1993). Neither
sold spectacularly; apparently fans are most interested in Jagger
and Richards when they work together. Wood released Slide on
This, his first solo album in over a decade, and Watts pursued
his real love, jazz, with the Charlie Watts Quintet.
In
1994 Jagger, Richards, Watts, and Wood, along with bassist Darryl
Jones (whose former credits include working with Miles Davis and
Sting) released the critically well received Voodoo Lounge
(#2, 1994) and embarked on a major tour that proved one of
the highest-grossing of the year. Voodoo Lounge was also
the group’s first release under its new multimillion-dollar, three-album
deal with Virgin Records, which included granting Virgin the rights
to some choice albums from the Stones’ back catalogue, including
Exile on Main Street, Sticky Fingers, and Some Girls.
Voodoo Lounge brought the Stones their first competitive Grammy,
1994’s Best Rock Album.
Interesting
Links:
Rolling
Stones - Site Oficial
Stones
Bazar
Send
your comments to:
coments@portaldorock.com.br
|
| BACK
TO MUSEUM |
|